Although Olympia is a most inconvenient site to visit, the remote location is part of its charm. I don’t encourage you to go from the other side of Greece just to see it unless you are an archaeology fiend such as myself and my parental units. If you do make the trip to Greece and you are interested in ancient ruins then, however far you travel, it will be worth your while.
The ancient ruins of Olympia are set in a magical, green park area. While they are extremely beautiful, the modern town has little to offer the tourist. You can get a hire car there or a bus to the site from the modern town. I only had about 5 hours there but I wish I had longer – the museum is fantastic, we could have spent all day in there.
So, if you are in Katakolon or Modern Olympia you have some choices of transport: get the train (change once) and walk from the station, get a tourist bus straight there from katakolon (about €10 each) or hire a car (€40) and go it alone
I recommend anything but driving there yourself. Unless you can read Greek, drive on the right (“wrong”) side of the road and aren’t terrified of little gypsy kids sticking their grubby little paws in the window at red lights then get the train or bus.
The parental units and I drove in a hired car and almost got divorced – all three of us.
The journey of 20 minutes was an hour each way as we couldn’t read the Greek signs for the turn-off – the way back was especially difficult as the signs on the highway for the turn-off were all in Greek. Also, the wheel was on the wrong side of the car which makes it hard to drive. And the parentals like to scream at whoever is in the driver’s seat. They really hurt my brain and I almost walked but it was hot and my hair would’ve gone all flat.
Anyway, once you get to the site you will be pleased that you risked your life to get there (if you drove) and if you have limited time you will probably have to have a good plan. This is what I recommend:
1) Go straight to the Olympia Museum. Everything found at the site is in here including Praxiteles’ Hermes with the infant Dionysus. I have never actually gasped at the sight of a sculpture before, it is the most beautiful marble work I have ever seen. On the statues of ladies, the drapery of their clothing is so well done by Olympia’s master sculptors that they look like real fabric instead of marble. The museum also houses the Helmet of Militades which he wore at the battle of Marathon against the Persians in 490BC.
It’s also wonderful to see how things used to look in Ancient Greece – some of the facades fragaments of the buildings with their intricate paintwork is also on display.
2) If you are travelling, as I was, with 2 geriatric coffee addicts the cafe in the museum is nice. If you are not a geriatric coffee addict yourself, as I certainly am not, grab a pastry. There are good bathroom at snack facilities throughout the site and it’s a nice place to have a walk in the fresh air, so wear some trainers.
3) Now that you know exactly what the buildings were like, what they contained and how the residents lived you should now explore the site. If you can, spend the day and just drift around. Most travellers have time restrictions so give yourself 2 hours in the museum and 3 at the site if time is restricted. Get a map of the site and be sure to see these ruins at least:
- Temple of the Olympic Zeus: it would be disrepectful not to see the ruler of Mount Olympus in his high place, dirty old man that he was… this building in the middle of the site which housed one of the Seven Wonders of the Ancient World is nothing but a pile of rubble and the biggest Doric column you have ever seen. I loved the simple but imposing Doric style and can only imagine what it looked like with the statue of Zeus. It’s amazing what remains of these ruins from the 5th Century BC
- The Temple of Hera, where the statue of Hermes by Praxiteles was discovered, is built in perfect preportion and housed donated treasure such as fine furniture, inlaid cedar boxes and artwork.
- For me, Phidias’ workshop is was the most interesting site and one I had dreamed of seeing since I’d studied about it at school. It was only discovered in the 1950’s: tools and a cup bearing the sculptor’s name was the evidence we needed to prove that this was indeed his workshop. The building is in remarkably good condition. Phidias is the little man who made the 12 metres high stature of Zeus and we only know of its’ existance from written accounts, from coins and contemporary artwork. Perhaps one day we will discover what became of Phidias’ marble and gold creation.